“People who live between two homes often possess a heightened awareness of the intricacies of those spaces they leave and return to. Lynn Parotti’s restless landscapes speak to the sublime beauty and eroding forces of nature but also the precarious human impact. The restless push and pull of oil paint, its malleable and viscous potential and heightened colour, conveys an energy which is both sensuous and unsettling, a duality which references the uncertain condition of our contemporary existence in this world, but also the potential for renewal,…” writes Allison Thompson, Ph.D., art historian and curator living in Barbados, having recently completed a residency at Tate Britain and the Delfina Foundation.
Salty water seeping into marshes and bogs, eroding limestone caverns, and poisoning aquifers feature in this section. The health of coral reefs, the ocean’s natural coastal barriers, becomes the subject for possible future sustainability. Red Tide (algal bloom) was originally the subject of painting in 2004. The concepts in “Territory” encompass the further effects of global warming like sea level rise, coral reef bleaching and overfishing as in Nocturnus Lobatus Gigas (Queen Conch).